Hello, good evening and welcome to another exciting episode of the NoBloG: the show where, well, I wrote about what happened at NoBoG. I guess you could have anticipated that since you are, after all, at the NoBoG BloG. No BloGs BloG just as much BoG as a NoBloG BloGgeD if a No GoB GloG BloB GllNlooGlBGolGNGGolGNlBlo.. Ahem. So what happened this Tuesday? It was a reasonably busy night with a good variety of games on the go: read on to find out!
The first game I observed, and one which continued for quite a while, too, was Epic Spell Wars. I didn't find out too much about this game though I gather it involves a lot of blood. Indeed, the players seemed almost obsessed by the collection and disbursement of haemoglobin—perhaps Epic Vampire Wars is the alternative title? Blood was found to be a hydrating resource and was thought to be imbibed in the form of a cocktail.
|Owen plans a spell. But how is his perfusion?|
And O2 sats? No, this is NoBoG, not Casualty.
A little while in and Sean was getting a bit disheartened and seemed to be close to being effectively out of the game—I guess it has issues with effective elimination. Meanwhile Owen, ever the blood-lusty, had what I considered to be a fairly respectable 7 blood although he characterised it as merely average. A round or two later and he was clearly in contention for the win, so it evidently wasn't too shabby a result. I'd be happy to have that much blood to be honest, I think these days I only have about three—and that's after a rare steak.
|Blood changes hands. Or veins. Maybe hand-veins.|
My next trip around the tables took me to an entirely foreign city, or at least its suburbs in Suburbia. Various strategies had taken form in the management of these microcosms of circum-metropolitan life. Take for instance the "poison lake" strategy which started with a lake by a factory and, when I returned, had taken an extreme turn with the addition of a landfill and an airport. Perhaps the fluorescent mutated fish make good eating—I'm not sure. The lake-poisoner was not too confident about his secret goals requiring requiring the highest reputation but lowest income—tricky but not impossible to accomplish. Andy, meanwhile, was a newcomer to the game and had no strategy at all. In true NoBoG style, however, he remained hopeful for the win. Strategy is overrated anyway. That's what I always tell myself when I don't have one. I checked on them later and Andy's borough was rather nicely zoned so he seemed to be getting the hang of things.
|Mmm-mm! Delicious effluent.|
|In for a penny, in for a pound:|
choke the lakes with toxic waste!
I was very interested to stop by the table where they were playing T.I.M.E. Stories. The game takes place over multiple play-throughs, the idea being that the first play-through you may fail horribly and die, but in doing so you uncover some information which you retain for the next one, meaning you can progress more quickly and without dying so horribly.
|Monika sets up T.I.M.E. Stories.|
Dying horribly is par for the course, as the time-traveller dudes you play as are actually possessing the minds of the patients of a mental asylum and are surrounded by (indeed they are themselves) the dangerously unhinged. Perhaps not too foreign a concept; Sam seemed to be enjoying his steak-eating cocaine-addict alter-ego a little too much. The aim of the game (while maintaining a sufficient supply of snow) is to prevent a temporal rift from occurring while avoiding being whallopped by monsters or loonies or whatever.
|One should always take T.I.M.E. to read the rules carefully|
The game certainly seems quite flavourful, though perhaps sometimes without commensurate gameplay effects for all that theme: when I arrived the players had just finished dancing at the behest of a tux-clad eccentric who was himself reacting to them having given him a plunger, but this was basically just flavour text, rather than having in-game ramifications. Still, you end up with a lot of humorous pronouncements and it's certainly not every game where you hear someone ask, "are we going to give the cocaine to the chef?"—"he'll probably just give us cat meat!" Sam the addict was less than keen to give up the coke but thankfully they ended up not having to and received their meat (which appeared to be beef, not cat) without sacrificing any of it. At some point during all of this cocaine-and-meat-fueled excitement he punched a Manticore to death.
|The map changes as the game progresses.|
The game also looked gorgeously designed with quality artwork and a butt-ton of little tokens. I discovered that the blue ones represented cocaine in this particular game, but that they could be different stuff depending on the scenario. I was told by someone who'd played a few times that the replayability could be a bit lacking because, once you'd done the first play-throughs and worked out what places were necessary to visit and which could be skipped entirely—even in a new game which didn't form part of the same campaign—it became a little trivial. Still, it seems that with the multiple play-through mechanic and a few different scenarios and characters to play, this is perhaps not a major issue.
The Adrenaline junkies were at it for the third week in a row. People were getting shot all over and trying to dodge out of the way wasn't helping too much. This week I learnt a little bit more about the game: when you shoot people you put damage tokens on their health bar which turn into points when they are eventually slain. Thus you don't need to actually get kills in order to gain points. Also when you die, you respawn and are not worth as many points any more, which sounds like a nice way to even things out and prevent anyone from being the punching-bag.
|Lewis' Rainbow array of death is displayed top-left.|
Passions were running high as Elliot exhorted another player to "blast that fucking shit right away", and Lewis had a veritable rainbow of different-coloured damage tokens, perhaps because his character's colour was itself grey. He claimed everyone else had started beating on him like paper Mario, but he won in the end regardless.
There was a rather toxic environment surrounding the table where Plague, Inc. had just been completed where three rather nasty-looking bacteria had just finished rampaging across the planet and killing most of its population. You don't have to be a bacterium—the base game allows you to play a virus and there is apparently the possibility of other pathogens with expansions/stretch goals. However, the pathogen you start as doesn't affect the game that much—it just gives you plus or minus a couple of stats which you can obtain or buff easily enough during the regular course of the game.
The objective is, as many of you will know or have worked out, to infect and kill as many people as possible. There's a bit of a snowball-effect as you buy traits with points you receive for achieving mass death—the traits being worth the same number of points as they cost at the end of the game. The game rapidly accelerates towards the end, as you need to acquire traits like heat resistance to infect certain countries—as you obtain them, the number of countries you can spread to increases rapidly.
|The aftermath of three worldwide epidemics|
|Even the die looks pustulent!|
Upstairs there was the vast game of Vast. Well it was a sort of normal-sized game really, but I've decided not to write a complaint to trading standards as it looked very interesting. The game is highly asymmetric: you play as very different roles with completely different rules, abilities and objectives. In this game we had the Dragon, the Knight and the Goblins. The Dragon is trying to wake up from its ancient slumber and escape the confines of the caverns—presumably to then wreak slaughter and misery o'er the land—the Knight is trying to slay the Dragon and the goblins are trying to gobble the Knight. I'm not sure who, if anyone, is trying to kill the goblins. Maybe they kill each other since there are multiple tribes—I can't imagine inter-tribal diplomacy is very amicable with goblins.
The Dragon, in spite of being asleep, can still walk around, which I found very confusing. She must be sleepwalking. As the cavern is explored, tiles are placed surrounding the walkable areas with different tribes' symbols, representing where the respective tribes of goblins can spring from. The Dragon seemed to be suffering from a severe case of the lazybones and wasn't waking up any time soon in spite of the Knight exploding bits of the cave with bombs. The Knight then snuck through and wished to attack the Dragon, sending them scurrying for the rules to see if this was possible before she was awake. I can imagine that playing the game a second time as a different character might require completely re-learning it as the abilities are so different. I left the game as John declared that he needed "another three wotsits to wake up." I personally think Monster Munch would be better food for a dragon.
|Awake dragon—so cute!|
Then over in medieval England the townsfolk were building a cathedral that, rather self-importantly, was supposed to form the Pillars of the Earth. When I arrived the cathedral was looking a little post-modern in its architecture—on stilts "for flood avoidance" apparently—but it transpired that the game was already over and it had been rearranged that way from its more traditional style. Disappointingly, the rather cute wooden cathedral is just a marker to show the progression of the game—it would be cool if its stages tied in more with the actual events that unfold in the game. The game itself is a little engine-builder where you try to gain resources and produce things that will end up being useful to the building of the cathedral. So Ewan won by building pews. Now don't get me wrong—surely no cathedral would be complete without pews—but it strikes me that there are more critical things in a cathedrals fitting and building than the seats. Perhaps the walls might be more of a pressing matter, or the roof? Or even the stained glass? But it transpired that Ewan's tactics were as underhand as his benches were underbottom: he had a friend in the clergy who'd granted him extra favour in spite of his uncomfortable berths.
|Unusual architecture: the cathedral|
looks like some kind of gothic-revival sheep.
|A wider view of the temple to the sheep-God|
Last but not least I will indulge myself with a description of our game of Betrayal at the House on the Hill. I'd been trying to get a game of this for a few weeks, having played it a couple of times a year ago but not having done so since. The premise, for those not in the know, is that you are exploring a haunted house by stepping into empty spaces and placing down a tile, which may result in some kind of awful event transpiring, receiving an item or most spookily, receiving an Omen. These give you often-powerful abilities but progress the game towards the second phase in which one player becomes the traitor and attempts to murderise/eat/curse you all, according to a specific scenario drawn from a large book, providing a lot of replayability when paired with the many house tiles and items.
Poor Jen started the game unluckily by contracting a bad case of what we decided must be "haunted miner's lung" causing her to sustain physical damage every turn until she could find some fresh air. Fresh air was in rather short supply though, and we couldn't find the house's garden or balcony, for example, from which she could finally breathe easy. With her life force ebbing with every rattling breath, the House threw fresh terrors at us as haunted mist poured from the walls, we fell through rotten floors and acquired knives that attached via syringes to our very veins. And I found a teapot.
|An explorer moves into a new room to, well, explore it.|
The Haunt—the name of the second phase—was narrowly avoided when I foolhardily chose to draw an omen card—but the circumstances dictated a particular scenario which we couldn't do, so the rules told us to play on. Not long after though, it all got too much for the explorers and the Haunt was on. And it was Jen who, though now cured of her consumption was still rather at death's door, was the traitor. Though "traitor" is perhaps the wrong description; in fact it was the rest of us who were Haunting her! We were the ghostly denizens of the devilish dwelling, and, in a twist on the usual types of stories, Jen had to exorcise us. We could no longer actually be killed, but while we could sacrifice our sanity to move through walls, Jen could steal items from us and sacrifice them to destroy our tether to the house, freeing our spirits and herself.
|Reading what has befallen the poor—and spectral—explorers|
after the Haunt begins.
Unfortunately her efforts were in vain—her earlier run in with the choking dust of the old mansion leaving her weak, and no match for the—magically enhanced with a lucky feather—attack of us ghosts. "Welcome home! Welcome home!" we chanted to our new housemate, joining us for eternity.
|"Welcome home!" The final mêlée is concluded outside the bathroom.|
Though the game is always fun simply for the spooky stories, it does highlight a recurring problem: the first half of the game contains little to no player interaction, there being essentially no incentive to do anything but explore, unless you can help someone dying of TB or something (which we couldn't.) The second phase can then be over very quickly: just three people had turns from the haunt being declared to the game ending. It might make for some annoying rules, but it seems that if killing the traitor is all that's needed for the others to win, the rules should take account of the possibility that the traitor has only 2 HP remaining and is about to be attacked by 5 overly-friendly fae spirits.
So, kids, what have we learnt? I dunno, this was a night of board-gaming, not a school lesson. Get out of my house! Blood was stolen, cocaine was hoarded, ghosts were spooky, plagues were incorporated (into people's bloodstreams) and lakes were pumped full of toxic garbage. If that's not some kind of lesson, I don't know what is, though that doesn't mean I know what kind of lesson. See you next time!